Acrylic on canvas 100cm x 120cm
I created this piece through instinctive, expressive layers of paint, building the surface with dense brush strokes and rich textures until it began to develop its own atmosphere. I worked with soft creams, greys, and earthy tones, allowing them to blend naturally with deeper shadows to create a balance between light and depth.
As the painting evolved, I became interested in the tension between emergence and disappearance — forms seeming to appear briefly within the movement before dissolving back into the texture. I wanted the surface to feel alive and almost turbulent, as if it were constantly shifting.
For me, the piece captures fragments of nature and memory at the same time: clouds moving across the sky, leaves carried by the wind, or distant landscapes fading in and out of focus. Rather than defining a single subject, I wanted to leave space for interpretation, allowing each viewer to discover their own hidden structures and emotions within the motion of the paint.
Acrylic on canvas 100cm x 120cm
I created this piece through instinctive, expressive layers of paint, building the surface with dense brush strokes and rich textures until it began to develop its own atmosphere. I worked with soft creams, greys, and earthy tones, allowing them to blend naturally with deeper shadows to create a balance between light and depth.
As the painting evolved, I became interested in the tension between emergence and disappearance — forms seeming to appear briefly within the movement before dissolving back into the texture. I wanted the surface to feel alive and almost turbulent, as if it were constantly shifting.
For me, the piece captures fragments of nature and memory at the same time: clouds moving across the sky, leaves carried by the wind, or distant landscapes fading in and out of focus. Rather than defining a single subject, I wanted to leave space for interpretation, allowing each viewer to discover their own hidden structures and emotions within the motion of the paint.