Bespoke artworks for private clients, interior designers and refined interiors.
Alba Paintings Are Original, One Of-a-Kind Artworks, Individually Created By Hand With No Reproductions Or Duplicates
Acrylic on canvas 90cm x 120cm
In this piece, I was thinking about what remains after a place has been left behind. I built the surface through layers of worn textures and muted tones—rust, ash, and soft gold—to create something that feels aged, almost weathered by time.
Along the lower part, I started to see shapes forming that reminded me of a distant skyline, but nothing clear. It feels blurred to me, like something half-remembered or seen through reflection rather than directly.
As the eye moves upward, everything begins to fade. The space opens, becoming lighter and quieter, almost empty. For me, that contrast is important—it’s not just about what’s there, but also what’s missing.
I like that it doesn’t show a specific place. It feels more like a memory of a city than the city itself—something broken into fragments, shifting the more you try to hold onto it.
Acrylic on canvas. 90cm x 120cm
I created this abstract piece with a clean and modern aesthetic, combining warm orange and copper tones with soft neutral whites and greys. I wanted the structured shapes to bring a sense of balance and harmony while still keeping the composition relaxed and inviting. Through subtle texture and layered details, I aimed to add depth without overwhelming the space. For me, this artwork is designed to work effortlessly within a variety of interiors, whether in a living room, hallway, or contemporary office. I see it as a versatile piece that complements modern décor while adding warmth, character, and a sense of sophistication.
Acrylic on canvas. 90cm x 120cm
I created this piece to capture the atmosphere of a space filled with depth, warmth, and quiet intensity. The dark layered tones and vertical textures were inspired by the feeling of being inside a dimly lit lounge late at night — surrounded by dark wood, aged leather, soft shadows, and warm amber light.
As I built the surface, I allowed the paint to drip and stretch downward naturally, creating a sense of movement and gravity. The rich browns, charcoals, and burnt orange tones blend together like fading light against weathered surfaces, while the brighter amber accents cut through the darkness like glowing embers or reflections from a fireplace.
For me, this painting carries a balance between raw emotion and sophistication. I wanted it to feel powerful yet restrained — something atmospheric that slowly reveals more texture and detail the longer you look at it. It’s a piece designed to bring character and presence into a room, especially within modern interiors that embrace warmth, masculinity, and understated luxury.
Acrylic on canvas 100cm x 120cm
I created this piece through instinctive, expressive layers of paint, building the surface with dense brush strokes and rich textures until it began to develop its own atmosphere. I worked with soft creams, greys, and earthy tones, allowing them to blend naturally with deeper shadows to create a balance between light and depth.
As the painting evolved, I became interested in the tension between emergence and disappearance — forms seeming to appear briefly within the movement before dissolving back into the texture. I wanted the surface to feel alive and almost turbulent, as if it were constantly shifting.
For me, the piece captures fragments of nature and memory at the same time: clouds moving across the sky, leaves carried by the wind, or distant landscapes fading in and out of focus. Rather than defining a single subject, I wanted to leave space for interpretation, allowing each viewer to discover their own hidden structures and emotions within the motion of the paint.
Acrylic on canvas, 120cm x 90cm
This one sits somewhere between rustic and modern for me. I built up the surface with thick, vertical marks — it started feeling like an old rug or weathered planks, all that texture from scraping and layering. The base is mostly muted grays and browns, kind of raw, unfinished.
Then I added that blue line near the bottom. I didn’t plan it. I just needed something to cut through all the vertical movement and hold it together. There’s a bit of rusty orange in there too, where the underpainting shows. It gives it some warmth so it doesn’t go too cold or industrial.
When I look at it now, it feels like standing in a forest but also like looking at a woven textile. The blue divides everything, like a horizon or a thread running through. I wasn’t going for a specific scene. I was just working until it felt like it could live in a modern loft or an old farmhouse and not feel out of place. That balance between rustic and clean is what I was after.
Acrylic on canvas 100cm x 120cm
When I look at this piece, I feel like I’m remembering a city rather than seeing it clearly. I didn’t want sharp buildings or defined streets—instead, I built it in fragments, like memories that come back in pieces. Some areas feel structured, almost architectural, while others dissolve into soft layers, as if time has worn them away.
The vertical drips and warm tones remind me of movement—people passing, stories overlapping, moments that never fully stop. The whites and greys create space, like pauses between noise, while the ochre and gold tones bring warmth, almost like light reflecting off concrete at the end of the day.
For me, this isn’t a specific place. It’s the feeling of a city that stays with you—blurred, layered, and constantly shifting the more you try to remember it.
Acrylic on canvas. 90cm x 120cm
With this piece, I felt drawn to something more restrained, almost quiet, but not empty. I worked in layers that partially hide each other, like something that was once solid but is now slowly dissolving. There’s a suggestion of structure here—maybe architecture, that it does not reveal itself.
The darker area on the right feels like a presence to me, something grounded, while the rest fades into lighter tones, as if memory or time is washing over it. The marks and textures move in different directions, creating tension between control and erosion.
When I look at it, I don’t see a specific place. I see something that used to be clear, now slipping out of focus—like a space you remember, but can’t quite reconstruct.
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How We Work
Every space has its own atmosphere, personality, and energy. My approach is based on creating artworks that do more than simply fill a wall — I create paintings designed to belong naturally within a space, enhancing its character and becoming part of its identity.
For selected projects, I offer a personalised consultation where I visit the property to experience the environment first hand. During the visit, I carefully observe the architecture, lighting, textures, furnishings, and overall mood of the interior. I also take photographs of the space, allowing me to study every detail throughout the creative process.
Understanding how a room feels is an essential part of my work. The colours, proportions, natural light, materials, and atmosphere all influence the direction of the painting. Whether the space is modern and minimal, warm and organic, or bold and dramatic, I create each artwork to complement and elevate its surroundings.
Once I have developed a clear understanding of the space and the client’s vision, I begin designing a bespoke artwork tailored specifically for that environment. Every piece is created as an original, one-of-a-kind painting, carefully considered in scale, tone, texture, and composition to ensure harmony with the interior.
Throughout the process, I maintain close communication with the client, sharing ideas, progress, and direction to ensure the final artwork feels deeply connected to both the space and the people who live within it.
This process allows me to create paintings that feel intentional, personal, and timeless artworks that not only transform a wall, but enhance the entire atmosphere of a home or interior.
